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There are times, however, when that nodding feels more like mimicry than anything else. That same on-paper ability is what makes вЂњAwaken, My Love!вЂќ a well-executed project: He has clearly absorbed a great deal of musical history, as the album nods to Parliament-Funkadelic, Sly and the Family Stone, Rick James, Prince, and more. (вЂњFandango my mandingo, we should do a movieвЂќ from a 2012 track with Danny Brown, for example.) Rarely did he make a song about anything, and those zingers were plain obnoxious. As a rapper, he almost sounded the part: Take a step back, and there he was, rapping fast, switching up flows, delivering (too many) punchlines.

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HeвЂ™s skilled enough to figure out how to excel at something, and, for the most part, look like he knows what heвЂ™s doing. It sounds like вЂњKokomoвЂќ for the вЂњ Hotline BlingвЂќ era, or maybe Ween covering SublimeвЂ™s вЂњCaress Me Down,вЂќ and its inclusion is entirely baffling, considering the sonic cohesion of the rest of the project.Дonald GloverвЂ™s greatest talents remainВ his tragicomic touch as a screenwriterВ and his ease with performance. вЂњCalifornia,вЂќ a cringey tropical parody complete with fake patois, sticks out for the wrong reasons. There are also a few indistinguishable tracks that feel like funk retreads вЂњHave Some LoveвЂќ sounds uncomfortably close to вЂњ Can You Get to ThatвЂќ from FunkadelicвЂ™s Maggot Brain. On вЂњHave Some Love,вЂќ he limply advises the audience to вЂњreally love one another.вЂќ The song called вЂњRiotвЂќ isnвЂ™t exactlyВ riotous: He screams a little, but only for the sake of fulfilling a pre-ordained funk yelp quota-nothing in the song seems to have moved him to shrieking. TooВ much of the rest, though,В simply nods to sentiment without producing any. ItвЂ™s a love song, which has always been GloverвЂ™sВ forte, whether on Because the InternetвЂ™sВ вЂњ 3005,вЂќ вЂњ Telegraph Ave,вЂќ or CampвЂ™s вЂњ L.E.S.вЂќ The same goes for the open-hearted вЂњBaby Boy,вЂќ possibly inspired by the birth of his son.В These songsВ digВ into something that feels unique toВ GloverвЂ™s heart,В notВ justВ his record collection. The tracks are embellished with intricate details throughout, like the delicate xylophone on вЂњTerrified.вЂќ вЂњ RedboneвЂќ builds from a slow jam into a peak of futuristic guitar and forceful staccato piano chords. Its imagery (вЂњThis is the end of us/Sleeping with the moon and the starsвЂќ) might beВ vapid, but the intensity of GloverвЂ™s singing compensates, as does the ripping electric guitar. The albumвЂ™s first track and lead single, вЂњMe and Your Mama,вЂќ is a satisfying slow burn that shows off GloverвЂ™s impressive falsetto.

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Like the cosmic soul it emulates, the atmosphere is lush, full of period ambiance worthy of a high-end television set. The albumвЂ™s production is majestic, aiming squarely for the cosmos depicted on its striking cover artwork. In paying homage to heroes, he even hits upon some of the genuine emotional connection that has often been missing from his music. His recently released вЂњAwaken, My Love!вЂќ is his hardest left turn yet, ditching rap wholesale in favor of funk worship, and the result is his most enjoyable project to date. But Childish Gambino has always been harder to pin down.В Since emerging with throwaway mixtapes under that alias, Glover has released two highly self-reflexive rap full-lengths, a Southern rap EP and a straight pop E P, and hosted a mysterious, cell phone-free festival.В The unifying thread connecting all of this has sometimes been hard to spot. From вЂњ CommunityвЂќ to the sharp and universally beloved вЂњ AtlantaвЂќ to his forthcoming Star Wars role, heвЂ™s carved out his persona heвЂ™s likable, sensitive, and observant, the self-aware everyman. By now, the world knows who Donald Glover is.

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